Interview: Katie Paterson

By Susan Mansfield, 28.07.2026

Afterlife, Katie Paterson (2026) created in collaboration with architects Zeller & Moye, at Collective Gallery, Edinburgh © Eoin Carey25

In her new exhibition Afterlife at Collective Katie Paterson presents a work so ambitious it sounds almost impossible, writes Susan Mansfield.

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Spirit Animals: Michael Visocchi’s Monument to the Lost Whales of South Georgia

By Greg Thomas, 23.07.2026

Michael Visocchi. Key Table SG (2025). Courtesy of the Artist.

Since 2020 Michael Visocchi has been developing the world’s most remote permanent art installation. Commissioned by the South Georgia Heritage Trust, the work commemorates the loss of 175,000 whales at South Georgia between 1905 and 1965. Greg Thomas meets the artist…

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The Newhaven Fishwives at the forefront of social documentary photography

By Sara Stevenson, 13.07.2026

David Octavius Hill and Robert Adamson, Elizabeth Johnston Hall smiling, modern print from a failed negative taken between 1843 and 1847, Special Collections, Glasgow University Library

With the publication of her book, Hill & Adamson’s Fisherwomen and Men of the Firth of Forth, cultural historian Sara Stevenson highlights a striking image taken in the 1840s that was part of the first ever social documentary series of photography

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The Fleming Collection acquires significant post-war work by Scottish avant-garde artist William Gear (1915-1997)

By Theodore Albano, 12.07.2026

William Gear, ‘Interieur Forme Blanche’, (1949). Image © The Fleming Collection

The Fleming Collection recently acquired ‘Interieur Forme Blanche’ (1949) by Scottish avant-garde artist William Gear (1915-1997). Director Theodore Albano explores Gear's life and his influences to better understand this important work...

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A City’s Wellspring: Joanna Kessel on her new public artwork for Glasgow

By Greg Thomas, 07.07.2026

Glasgow's Wellspring Aproxima. Courtesy of the Artist.

Joanna Kessel’s extraordinary artwork inside Glasgow Cathedral combines the ancient craft of mosaic laying with cutting edge modern construction technique. Greg Thomas visits…

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Scottish Art in Argentina

By Sebastian Pasquet, 23.06.2026

David Gauld, 'St Agnes', c 1890. Fleming Collection.

Sebastian Pasquet has spent more than a decade leading projects relating to Scottish heritage in Argentina with most of this work taking place in St Andrews Church in Buenos Aires, a monumental Neo-Gothic building in the centre of the city. The building is home to extraordinary stained glass windows by Glasgow Boy David Gauld and are frequently described as the artist's most important commission, but what do we really know about these works and the context in which they were made?

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