The Fine Art Society’s Edinburgh exhibition, Blurred Boundaries, presents a happy opportunity to try and get to grips with the quintessential John Byrne, writes Douglas Erskine…
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Uncanny and poignant studies of contemporary isolation, heavily influenced by Post-Impressionist and early-Renaissance colour and composition, are presented by Kate Walton in her solo exhibition at 5b, Glasgow. Greg Thomas visits…
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A residency at Edward Hornel’s home in Kirkcudbright brought Kate Bentley inside the artist’s creative world, inspiring a new body of work currently displayed at The Whitehouse Gallery…
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The Fleming-Wyfold Art Foundation, in partnership with Scotland House London, is delighted to announce the fourth edition of The Emerging Scottish Artist of the Year award, a yearly bursary created to celebrate and support the next generation of visual artists emerging from Scotland’s universities.
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The American Abstract Expressionist Jon Schueler took a trip to Scotland in 1957, exchanging the white-hot artistic crucible of 1950s New York for Scotland’s west coast. It was here he encountered the most significant and rewarding experience of his artistic life, describing the landscape as “the only church that would do”. Douglas Erskine travels to East Lothian to marvel at Schueler’s paintings of Mallaig skies, currently exhibited at Fidra Fine Art…
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Greg Thomas has a look at the Jim Matthew Camera Collection, which is one of the world’s largest collections of cameras, located in St Monan's in Fife and amassed by naval engineer Neville “Jim” Matthew.
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