Classical/Neoclassical by Ian Hamilton Finlay (1925-2006) is a lithograph that presents two stacked sets of drums, the drums getting smaller as it builds upwards into a column shape. The two images are separately labeled as 'classical' and 'neoclassical', with the latter appearing more refined in detail.

Finlay's work often contained reflections between the classical and neoclassical movements, using basic elements like drums to build up the message visually. This work was done in partnership with Gary Hincks, a fellow artist. It later became a clay sculpture as well, Classical/Neoclassical, 1993 within this collection. 

Ian Hamilton Finlay CBE, 1925-2006

Although he studied at Glasgow School of Art, Finlay’s first creative success was as a writer. His discovery of concrete poetry in the 1960s was a major breakthrough in his practice and he began to produce booklets, posters, and wall-mounted works combining text and form. Major works of conceptual sculpture using text were produced by craftsmen to his specifications. Drawing on ideas from classical philosophy and the French Revolution, he began to exhibit widely and was shortlisted for the Turner Prize in 1985. His garden at Little Sparta in the Pentland Hills, begun in 1966 and now looked after by a trust, is considered to be the finest manifestation of his work.